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The five ‘Alts’ on ‘Mad, Mad House,’ a weak reality TV show, (clockwise from left): Art the modern primitive, Don the vampire, Ta’shiathe lesbian Voodoo priestess, Avocado the naturist, and Fiona the witch. (Photo courtesy of Sci-Fi Channel)


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Brian Moylan


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‘Mad, Mad House’
Sci-Fi Channel
Thursdays at 9 p.m.





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Letter to the Editor

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TELEVISION

When cultures clash
Sci-Fi Channel’s ‘Mad, Mad House’ opts to focus on silly reality show conventions rather than genuine human interaction.

Brian Moylan
Friday, February 27, 2004

WE’VE ALL BEEN “the gay person” at a dinner party.

You might have been the only openly gay employee at the company picnic, a family reunion or a cocktail party. But at one time or another, you’ve probably been in the awkward position of having to speak for an entire population of people with whom you identify.

Invariably, there is some person who lacks knowledge of our existence — your boss’s brother, your best friend’s date or just some rube who is crashing the latest glam event you’ve been invited to — and he wants to ask all sorts of questions about what it’s like to be gay.

It’s hard to be the first gay person who someone has met, answering questions such as, “When did you know?” or “What do you do?”

When placed in that situation, there are three choices. Be nice and answer all the questions and hope that it will foster some kernel of acceptance for gay people the world over. Dismiss the questioner and be the snide, catty queen that the media so love to portray (see Jack from “Will & Grace” or Carson Kressley of Fab 5 fame), and leave another potential bigot in the wake.

Lastly, you can just vote him out of the party and crush his hopes to win $100,000.

Well, the last one is only a choice if you’re one of the “Alts” on the new Sci-Fi Channel reality show “Mad, Mad World,” which debuts Thursday, March 4 at 9 p.m.

On the show, five people with “alternative” lifestyles — hence the name “Alts” — run a house with 10 contestants — all conservatives and mostly staunch Christians, vying to win a $100,000 prize. The five are Art, a modern primitive covered in tribal tattoos and body piercings; Avocado, a naturist; Don, a vampire; Fiona, a witch; and Ta’Shia, a lesbian Voodoo priestess.

These “Alts” teach the contestants about their ways, religions and rituals and make them play little games based on their respective dogmas. (Ironicially, Ta’Shia’s lesbianism is a non-issue.) In classic reality show style, at the end of each episode, they vote off the one person who is least accepting of their way of life.

AS A GAY MAN watching the show, I definitely empathized more with the “Alts” than with the contestants. Embracing something about myself that makes me different from the majority in society definitely breeds a “live and let live” attitude. If someone wants to pierce and tattoo their body, drink blood, run around naked, cast spells or worship African ancestral spirits, that’s fine with me — as long as no one gets hurt.

But the mainstream contestants have much more difficulty with their hosts, and were probably cast as such. They are, essentially, that eagerly inquisitive, naïve person at the party, and, as such, annoyingly persistent in their ideals. Having been so comfortable living in middle America, whether that be in New York City or Davenport, Iowa, they aren’t quick to accept others’ differences.

There should be enough drama between the “Alts” and the contestants, but, instead, “Mad, Mad House” has decided to go the reality game show route, where contestants engage in silly games to stay on the show.

In the first episode, they have to dredge around looking for items in a “blood bath,” inspired by Don the vampire. It’s these hokey games and focus on the players’ “strategy” that hold the show back.

More interesting was everyone’s reaction to Ta’Shia’s Voodoo ceremony. Not only did it teach the audience about a different religion (which is more innocuous than it is usually portrayed in popular media) but showed how people confront situations that make them uncomfortable.

With more of this type of interaction, “Mad, Mad House” might be a property worth looking into, but by focusing instead on silly games, it proves it’s a show that can’t pay the rent.



 

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