NOVEMBER 23, 2009
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Gay men and lesbians with disabilities say they sometimes feel ignored and isolated from both gay and disabled populations. But increasingly they are networking in person and online to provide each other with support. (Illustration by Jen Mabe.)
 
 
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MORE INFO
‘Queer Crips: Disabled Gay Men and Their Stories’
$19.95; 254 pages
Haworth Press Inc.
10 Alice St.
Binghamton, NY 13904
800-429-6784
orders@haworthpress.com
www.haworthpress.com

BFLAG
(Blind Friends of Lesbian, Gay, Bisexual &Transgender People)
Butch Arnold
4802 Holder Ave.
Baltimore, MD 21214
410-254-9003
ButchArnold@BFLAG.org
www.BFLAG.org

www.disabledwomen.net
corbett@disabledwomen.net
P.O. Box 6008
Albany, CA 94706

www.gimpgirl.com
info@gimpgirl.com
listserv for lesbian and bi-sexual women with disabilities

‘BENT: A Journal of Crip/Gay Voices’
www.bentvoices.org
Online zine for gay, bi-sexual and transgender men with disabilities
Appears six times a year

Rainbow Alliance of the Deaf
www.rad.org
president@rad.org
Billy “Zookie” Barr, RAD secretary
1722 Winona Blvd.
Suite 306
Los Angeles, CA 90027
National educational and advocacy organization of deaf gays and lesbians

www.deafqueer.org
dqrc@deafqueer.org

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Fighting to be seen
Gays with disabilities say they often feel invisible

HOME > ENTERTAINMENT > FEATURE

Jun 25, 2004  |  By: KATHI WOLFE  | COMMENTS      Printer Friendly Version



continued...

can work and support her lover,” says O’Toole, who has had a physical disability since age 1 and uses a wheelchair. If you’re disabled it’s hard to be seen as sexual, she says, no matter how out you are.

“If I’m in a bookstore, lesbians would just think I needed help getting a book from a shelf,” O’Toole says. “They wouldn’t ask me to have coffee.”

THERE ARE CULTURAL differences in the ways in which gay men and lesbians with some disabilities relate to the gay community, observers say.

For example, many hearing men make references to movies and music, says Raymond Luczak, a gay deaf writer in New York. “They toss off a line or two from a Broadway show for laughs,” he says, noting that humor for most deaf gay men is visual.

“Often someone’s mannerisms can be imitated very well in ASL [American Sign Language] for laughs,” he says.

Terry Galloway, a 53-year-old writer, director and performer for video and stage, is deaf but does not consider herself “culturally deaf.”

“I’m deaf with a small ‘d’ which means that, although I’ve studied [American Sign Language] at various times in my life, my [ability to sign] is on par with my Spanish, which is shitty,” she said in an e-mail message.

Culturally deaf people communicate using American Sign Language. Individuals such as Galloway, who is hearing-impaired, do not use ASL to communicate.

Galloway, who has been with her partner for 21 years, splits her time between homes in Tallahassee, Fla., and Austin, Texas. She has known that she is gay since her childhood. But, as with many people who are gay and disabled, she faced challenges coming out on various fronts.

“As a lesbian and as a ‘small d’ deaf woman I could always pass,” she says. “I could go out with guys and wear my hair long to cover up my hearing aids and pretend that my inability to understand was just some cute girl way of being attractively vague and vulnerable.”

When she is out about being lesbian and deaf, however, Galloway says she feels like a political target.

“[I am] the target of the stares and the ire of people who find anything sexual and anything different to be threatening and fearful,” she says.

Despite this harsh political reality, Galloway says she feels “perfectly at ease being an out queer” among her friends and her professional colleagues.

“The crips and deaf people I associate with are people with whom I share not just a disability but a profound life interest,” she says. “We are all interested in theater and many of us are interested in political activism.”

She and her associates try to change what it means to be gay and living with disabilities.

“Anyone who has any vulnerabilities — physical, sexual, racial, economic — ought to be able to recognize common ground,” Galloway says, noting that through her work in film, video and theater she strives to create “community.”

“I’m out to get people

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