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| In her satin tights, fighting for our rights, Wonder Woman (Lynda Carter) inspired
young girls and gay men alike.
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HOME > ECLIPSE > FILM
By: MATTHEW FORKE COMMENTS
Clad in her satin tights and red high-heel boots, Wonder Woman leapt from the
pages of DC Comics to join “Police Woman” and “Charlie’s
Angels” in the elite sorority of TV crime-fighting babes with brawn when
her sublimely campy ABC series debuted in 1976. Evildoers beware!
Faithful to its comic book roots, “Wonder Woman: The Complete First
Season” — now available on DVD — begins on the all-female
Paradise Island where its inhabitants dress in frilly, flowing nightgowns and
enjoy a life “free of men and their barbaric masculine behavior.”
That is, until a hunky WWII pilot (Lyle Waggoner as Major Steve Trevor) washes
ashore following an unexpected crash-landing. Shortly thereafter, the island’s
Princess Diana, a.k.a. Wonder Woman (former Miss USA Lynda Carter), discovers
the injured officer and vows to protect this vulnerable, yet strangely alluring
creature.
Defying her mother (the humorously regal Cloris Leachman as Queen Hippolyta),
Wonder Woman spins into her famous American Flag costume and returns Major
Trevor to his home in Washington, D.C., accompanied by fruity tropical music
piping through her Invisible Jet.
Upon her arrival, though, Wonder Woman realizes that blending into 1940s America
isn’t as easy as an Amazon Princess might think. Disguised as Yeoman
Diana Prince, she accepts a position as Major Trevor’s prim secretary
at the U.S. War Department, telling her ice cream slurping kid sister Drusilla
(Debra Winger as Wonder Girl) the job “allows me to know immediately
where I’m most needed.”
Which, obviously, is anywhere near the incompetent Major Trevor as she repeatedly
rescues him from Nazi spies, saboteurs and generally reprehensible guest stars
intent on “keeling Vunder Vooman” and “ruling zee Vorld!”
And furthering the audience’s amazement of his survival up to this point,
Major Trevor offers Wonder Woman gracious platitudes such as, “If they
gave merit badges for being terrific, you’d be an Eagle Scout after that!” Wonder
Woman, you’re a wonder indeed.
Warner Home Video’s three-disc collector’s set includes all 13
first season episodes along with the original 90-minute pilot “The New
Original Wonder Woman” — effectively voiding out the less-successful
Cathy Lee Crosby version two years prior and an unaired pilot for a Wonder
Woman show made in the ’60s, I suppose.
Also, this shouldn’t be confused with the CBS version of the two-season
show that aired from 1978-79, still with Carter and Waggoner. Wonder Woman
became a sexy, modern secret agent, the Nazis and period costumes apparently
done in decades ago.
Viewers may recognize a small army of familiar faces, and among them are Red
Buttons, Fannie Flagg, Dick Van Patten, John Saxon, Carolyn Jones (Cloris Leachman’s
replacement as Queen Hippolyta) Robert Reed, Robert Hays and Henry Gibson.
Gay actor Robert Reed, who played Mike Brady on “The Brady Bunch and
died in 1992, plays a Nazi spy.
Best of all, though, is watching Wonder Woman beat the daylights out of Nazi
spy Stella Stevens in the original pilot episode.
Which brings us to Carter, the D.C. area resident and longtime face of Maybelline
cosmetics. Is there anyone else so closely identified with the role of Wonder
Woman?
Perfectly embodying the strong, statuesque and scorchingly beautiful comic
book legend, Carter effortlessly projects goodness and warmth, yet without
any overt sexuality that could deem the show inappropriate for young children.
She proved to be as dead-on casting as Christopher Reeve in “Superman:
The Movie,” and that’s no small feat.
Special features include a new 20-minute documentary titled “Beauty,
Brawn and Bulletproof Bracelets: A Wonder Woman Retrospective” featuring
Carter and Executive Producer Douglas Cramer (of the “Batman” television
series), along with an optional pilot episode commentary track.
But for me, though, simply getting beyond Charles Fox’s catchy opening-credits
theme song was near impossible. Never taking itself too seriously, “Wonder
Woman” is a heroic and colorful highlight of late-’70s television.
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